I head to Prague tomorrow, on a trip I’m starting to think of as a pilgrimage – a chance to pay homage to the silvery Czech spores that seeded my science fiction fate . . . I’m recalling here my best friend in Canada in grade eight, a Czechoslovakian girl called Nora, with whom I collaborated on a ‘space opera’ epic that expressed our pubescent emotions and burgeoning awareness of the politics of power, but also, I now suspect, her Czech literary heritage. I knew Nora in the late seventies, and I assume her parents had fled Soviet rule, though I can’t recall if I was ever told the story of their emigration. Nora would have been an infant during the Prague Spring of 1968, and it’s entirely possible her parents took part in the creative and non-violent resistance that characterised that brief period of hope. Did her mother go…

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